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When you study law, you end up reading a lot of cases. After four years and hundreds of pages, I found myself with more questions about the law—and the people who interact with it—than when I started. In criminal cases in particular, I began to notice patterns, bizarre ones, no matter whether the crime was corporate fraud, or aggravated assault, or petty theft. It all seemed to be driven by the same things: ambition, pride, splintered identity, jealousy. Ego.
What is it that makes someone an ‘offender?’ This is one of many questions I wanted to explore. I wasn’t sure what I’d find in the cases, but once I started reading them, more and more parallels emerged. I made a very professional table with categories like ‘car’, ‘stab’, ‘heavy fog’ and ‘weird face coverings and hats’ to sort some of it out. Apart from the factual similarites, I found a lot of really poetic, weird, and darkly funny moments in the judgments too. ‘The Offender’ is a composite portrait, drawn from these patterns and coincidences. It is a true story.